Wednesday, May 1, 2013

Three hour works

It's been a while!
I've been working quite a bit though. Some works are in progress, some are abandoned (since I'm always hesitant to use the word "finished").

I was thinking about applying to Warsaw's Fine Arts Academy painting program but I kinda dropped the idea for now. I still made a few works that I would have put in the portfolio.
As far as I understand, their requirements are a bit strange. They require huge works. As in, 100x70 cm (or at least 50x70cm) in size. And it's my understanding that they kinda require them to be done within 3 hours time frame, because that's how long their practical exam takes.
Having studied at the FAA, it seems abstract and absurd and simply crazy!
Still, I tried and surprisingly enough... I had fun with it!

50x70cm, charcoal. This took me a bit longer than 3 hours - more like 6 or something...
The paper I used was awfully rough!

50x70cm, acrylics.
It was a second still life I  painted, I started it and then  my friend and I realized we had no paints to mix greens from, really - just yellow ochre and ultramarine that gave a dark, kinda muddy sea green. (I didn't paint with acrylics before, just oils, that's why the shortage of paints). Luckily the next day I stocked us up with what was missing and we managed before the flowers died completely!
50x70cm, acrylics

50x70cm, acrylics
The mask is actually a plaster cast of my face, so one might say this work is kind of a self portrait. But I didn't really strive to achieve the likeness - I mean, come on, it was a 3 hour work. :)

around 30x40cm?, acrylics
Not a portfolio piece - just messing around with paints, creating a very, err, painter-esque self portrait.
I still can't believe how fast acrylics dry up. Compared to oils it's freaking unreal! It definitely helped to keep the work fast and more loose - which I found was surprisingly fine with me. It's definitely easier to paint without unrealistically high expectations about the work I'm about to create -- which is something I'm definitely struggling with. I just need to be careful not to get too lazy now :)

Monday, April 8, 2013

Been to London

Saw a few Rembrandt paintings at the National Gallery.

Two words: holy shit.

My mind is still blown. I can't wrap my head around how amazing his self portrait at 63 is. I am devastated, but not at all surprised to not have found a photo or reproduction that would do justice to this artwork, it's all so much flatter than when seen live.

Odd Nerdrum's Rembrandt obsession makes so much more sense to me now.

That is all.

Monday, March 11, 2013

New works from new studio

8 days ago I finally moved in to my studio! It's been quite fruitful so far.
Here are two of my works that I am not planning on working any more.

Self portrait in charcoal, around 35x40cm in size

"Keys", an oil painting, around 16x25cm in size

Sunday, February 10, 2013

Landscapes and other sketches

Just yesterday I went back from a week long winter art camp with kids from my atelier. It was a lot of fun, full of work and filled with heaps of inspiration. :)

Tempera on paper, around A3 in size.
This was sadly the only landscape from life I was able to paint there. I only  managed to paint for some 40 minutes and even then, I was in our work room with the kids who decided to stay with me after their classes - so I was giving critiques to everyone around me at the same time.
Oil sketch from today.
First time ever painting the outside view from my apartment.  

Oil color study of Monet's study of a Rouen cathedral.
I wish I had something more than a  postcard-sized copy of this while I painted it, would be much easier to  work on it!

Color study in oil.
Heavily inspired by this picture of the Neuschwanstein castle in Bavaria.


Pencil sketch

Watercolor sketch loosely based off the previous one
Pencil sketch, a little bit of an experiment between careful shape design vs. loose organic lines.

Only other drawing from life I made (and kept) during last week. A beautiful art nouveau lamp from the palace we were staying at. I wish I worked on the glow effect of it more.

A portrait of a model at the atelier I did some 2 weeks ago. The model was lovely but she certainly didn't care about not moving while posing. Which I guess made it even more intense to draw.

A very quick watercolor study of a small part of a Zorn painting.  Again, I wish I had more than a museum postcard to study it from -- the lady on my version was smaller than one inch in size... Though obviously it didn't stop me! ;)
It's lighter in color in real life.
I am really hoping that soon enough I will be able to work from my studio space and show you all works that I will have spent more than two hours on!
Take care!

Sunday, December 30, 2012

Some unfinished projects

Some of the projects that I've begun last month, I suppose they'll have to wait till 2013 till I work on them some more :)

 Charcoal portrait of an acquaintance, Anna - the drawing still needs polishing up, there was only one sitting session - approx. 30x60cm in size

2hr oil sketch of a baby head cast

Sunday, November 4, 2012

Dogs again

Doodlin' some imaginary dogs...

...aaaand my dog Spike. Sleeping as he often does.
It was really loads of fun to do these -- though I'm not too used to actual living animals as models to be honest. :) Gotta fix that! There's no natural history museum in Warsaw that has as many stuffed animals as the one in Goteborg so I suppose it's the universe's way of advising me to do more life drawings. :)

Friday, November 2, 2012

Model drawing

Since I've started working at Warsaw's Atelier Foksal this September I've been occasionally sneaking into some of the drawing classes to draw their model. Sometimes I could only attend for a short amount of time because I had to assist in classes taking place at the same time. But I'm always happy to be there no matter how long or short. :)




This wasn't actually in class, I drew this one off one of the sculptures at the Warsaw's National Gallery.
The sculpture is a bust of Antonina Krasińska e Czacka by Antonio d'Este from 1808. Or at least that's what I noted down.
That was a pretty loose and fast warm-up sketch I needed to wrap up quickly because I was needed elsewhere
And this was drawn the same day, after my classes, and I could take more time with it. It also helped that I studied it earlier with the previous sketch. :)